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Mark Scatterday
Приєднався 25 жов 2010
Відео
Jeff Tyzik: Movement 3 of "Symphonies"
Переглядів 5652 роки тому
The Eastman Wind Ensemble Mark Scatterday, conductor Kodak Hall at the Eastman Theater March 2, 2002
John Corigliano: Concerto for Clarinet
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The Eastman Wind Ensemble Mark Davis Scatterday, conductor Stephen Williamson, clarinet Kodak Hall at the Eastman Theater December 8, 2021
Ron Nelson: Passacaglia Homage on B A C H 1993
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The Eastman Wind Ensemble Mark Davis Scatterday, conductor The College Music Society Conference Eastman Theater October 8, 2021
Howard Hanson: Chorale and Alleluia
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The Eastman Wind Orchestra Mark Davis Scatterday, conductor September 15, 2021 Eastman Theater
Howard Hanson: Elegy in Memory of Serge Koussevitzky
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The Eastman Wind Ensemble Mark Davis Scatterday, Conductor Centennial Celebration of Eastman Composers October 8, 2021 Eastman Theater
Clifton Williams: Fanfare and Allegro
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The Eastman Wind Ensemble Mark Davis Scatterday, conductor Centennial Celebration of Eastman Composers October 8, 2021 Eastman Theater
Dai Fujikura: Frozen Heat
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The Eastman Wind Ensemble Kodak Hall at Eastman Theater 2021
Shostakovich/Hunsberger: Folk Festival
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Shostakovich/Hunsberger: Folk Festival
03 Krommer Octet Partita, Op 69 1791 HD 720p
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03 Krommer Octet Partita, Op 69 1791 HD 720p
Grainger: Hill Song No. 2
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Eastman Wind Ensemble October 9, 2020 Kodak Hall at Eastman Theater
Danyew Alcott Songs
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Eastman Wind Ensemble Kilbourn Hall, April 1, 2016 Hailey McAvoy, mezzo-soprano
Steven Bryant: Concerto for Wind Ensemble
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Steven Bryant: Concerto for Wind Ensemble
Joel Love: Solace, A Lyric Concerto
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Joel Love: Solace, A Lyric Concerto
John Adams: Short Ride in a Fast Machine
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John Adams: Short Ride in a Fast Machine
Ellen Taaffe Zwilich: Concerto for Bassoon
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Ellen Taaffe Zwilich: Concerto for Bassoon
John Mackey: Concerto for Soprano Saxophone
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John Mackey: Concerto for Soprano Saxophone
Eastman Wind Ensemble -- Maslanka: Symphony No. 8, movt. 3
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Eastman Wind Ensemble Maslanka: Symphony No. 8, movt. 3
2:37
Thank You very much for sharing this beautifull piece with us❤
Hello, Mr. Scatterday! Please tell me, is it possible to find a recording of Rachmaninov's Vocalise arranged by Donald Hunsberger? I know that there is a recording of the Tokyo Kosei Wind Orchestra given to Mr. Fennell.
So much fun playing with Alexa again and...my first time ever with the EWE and Mark Scatterday!
Anyone know who did the arrangement for wind orchestra? Was it Corigliano himself?
Bravo!
So poetic that he attended Eastman for his studies and is back for this solo opportunity!
Yes, it is. If you can't use a shotgun, then there is no point in playing this symphony.
This is the only truly perfect piece ever written.
After knowing of this piece for 25 yrs, I am only now really coming of age to appreciate it. It’s powerful.
How do you play this without crying???
No idea. I haven't been able to.
you don’t. personal experience.
Wow. I had no idea there was a band arrangement of this. Well, you'd be hard pressed to find a better soloist than Steve Williamson. And I fear that after a prosperous first decade, this concerto - which I rank in the same circle as Nielsen, Copland, and Francaix - has not really caught on as it should.
Definitely, Steve is out of this world. I think it's mostly the eerie atonal nature of this piece that turns off a lot of general audience, probably why it hasn't caught on. Definitely I love it as much as the Francaix and Nielsen, though not as much as perhaps Mozart or Copland.
"has not really caught on as it should." I wouldn't say that. It has entered the repertoire of major orchestras around the world. It's a difficult and.yet strangely compelling concerto by a major American composer.
@@mendax1773 Ya
FABULOUS performance!! This piece is my all-time favorite. Ron Nelson's masterpiece.
Exquisite performance of one of the pillars of band literature!
Bravo! I had the honor of playing this masterpiece back in the Spring of 1980 at Bethany College, Lindsborg, Kansas. Clifton Williams' music is in an elite class by itself and should be played more often! Every section is given a chance to shine in his works.
That was great! Thanks for sharing!
Who is performing this??
5 flats is not a good key for sax, and then you don’t even use half of them
If yep sees this know that I am two steps ahead
Fr
I am laughing at the ridiculous need for masks for wind players - they had holes so large in the masks...what is the point. I suspect that is what the musicians were trying to get across. Nice performance - the french horns had a very clear tone - much better than other performances I have heard with baritones
my teacher taught danyew
you neglected the shotgun
Agreed. Not using a shotgun is a copout.
Love, love, love the French horns.
excelente !!
All-world-all-time composer. Unappreciated and underappreciated by too many. I hear Copland licks. You were a genius, Clifton.
I don’t understand why everyone loves this piece. Yes, it’s on a sensitive subject matter, the poem is nice and their heart is in the right place, but the piece itself is so uninteresting. The first half is a generic funeral march with no memorable melody. The second also has no compelling melody and sounds like a million other band pieces. On top of that, this piece invites a comparison to another work: Kindertotenlieder (Songs on the Death of Children) by Mahler which I feel was given infinitely more thought, full of symbolism and irony. As a connoisseur of sad music, I wanted way more out of Into The Silent Land. Maybe people are afraid to criticize it because of what it is about?
Yeahfrank i knowwwwww🥺
Awesome rendition! Any information about the transcription/arrangement?
Such a fantastic performance. Lovely recording too!
Who is the arranger of this setting?
Earlier today, our symphonic band played this, is was the end of band camp. And I didn't really know what to expect, they played phenomenally and picked out cool pieces. But nobody heard about his one, only the people who playing it knew about it. Our lead band director, and the ( and director of the camp) gave out a speech after their second piece. They threw up the photos of victims, i remembered him saying, "we remember tragedies, we remember what we were doing, where we were. But I don't remember where I was when Columbine happened, Santa Fe, or robb Elementary. Elementary, middle schools, high schools, are effected, this shouldn't happen. We need to remember, we to take action." And like that they started playing. The whole theater was quiet. I was crying during the song, so many other people. Even the musicians were having trouble having dry eyes. After the show I heard one of them talking about how alot people were teary up while playing the concert. It was a shock, hearing them play, after it was over, a girl came up to the microphone qnd read a poem. It tore me apart, it was quiet, probably only 15 seconds, but felt like longer, lingering. It was a concert I won't forget.
Filled me with goosebumps! Amazing piece!
Played this on the bass drum/crotales. Such a powerful piece with very good and fitting percussion writing.
Magnificent performance of this wonderful piece!
Clifton Williams, "Jimmy" was one of my music professors at the University of Miami. Played this under his baton, along with other Williams pieces. And he was a very nice man to boot! I enjoyed many lunches with him in the mid 60's. When I became a band director he guest conducted his Variation Overture with my Junior High band. Unforgettable! RIP my friend.
17:00 Movement III
10:16 Movement II
14:34
An excellent performance
Not a bad performance. The tempos, phrasing and timbre qualities lack the depth given by Fennell and the TKWO ua-cam.com/video/khFP8UepTn0/v-deo.html
They are first- and second-year students. Class has been in session for less than one month. 😅
@@cphuntington97 Aren't those primarily the conductor's responsibilities?
@@bilikfinke9197 Interpreting the music is everyone's responsibility. There is no such thing as a correct answer in art.
@@cphuntington97 Yes, but there are elements that are preferable and widely sort after....
Played Clifton’s music in undergrad at Vanderbilt- thank you for performing this so well! This is music that should see more regular performances across the country.
Admirable project.
Bravo performance!
this. this was the song that broke me. i remember hearing it in my freshman year, played by our senior band. one of the band directors got his elementary school daughter to say the ending and that made me cry so hard.
For me that was An American Elegy by Frank Ticheli. Played it right after Parkland happened and I openly wept at the off-stage trumpet solo.
There is an awkward, weird time in this piece... It's the ending. It's so captivating that you want to applaud the ensemble but it doesn't feel right. When I listened to this piece live, the audience didn't know when to clap because it was so well done.
What a joy to hear such fine musicianship performing this fine transcription for wind ensemble! There are few sounds I enjoy more than tuté pianissimo and fortissimo. (Triggers very faint memories of the San Diego High School Honor Band circa 1965~66 with UCSB's Professor Faulkner (?) conducting. I was playing oboe.)
Why are all the performers not listed here? Amazing to them play with masks.
Great interpretation of this piece that is rarely played
As if this piece wasn't chilling enough, we decided to play this for a member of our university band who had passed away earlier in the semester
RIP to your member
Great performance!!! Thanks for posting!!